DOUG AITKEN’S UNDERWATER PAVILIONS, THREE UNDERWATER SCULPTURES TO BE INSTALLED OFF THE COAST OF CATALINA ISLAND, CALIFORNIA
Underwater Pavilions is artist Doug Aitken’s most recent large-scale installation and will be installed this fall off the coast of Southern California on Catalina Island 22 miles from Los Angeles. Produced by Parley for the Oceans and presented in partnership with The Museum of Contemporary Art, Los Angeles (MOCA), the work consists of three temporary underwater sculptures, floating beneath the ocean’s surface that swimmers, snorkelers, and scuba divers can swim through and experience. Geometric in design, the sculptures create underwater spaces synthesizing art and science as they are constructed with carefully researched materials and will be moored to the ocean floor. Part of each sculpture is mirrored to reflect the underwater seascape and create a kaleidoscopic observatory for the viewer, while other surfaces are rough and rock-like. The environments created in and by the sculptures will constantly change with the currents and the time of day, focusing the attention of the viewer on the rhythm of the ocean and its life cycles.
Underwater Pavilions engages the living ocean ecosystem as the viewer swims into and through the sculptures, which create huge reflective abstractions. The work operates as an observatory for ocean life, creating a variety of converging perceptual encounters. The sculptures will continuously change due to the natural and manmade conditions of the ocean, creating a living presence and unique relationship with the viewer. Both aesthetic and scientific, Underwater Pavilions puts the local marine environment and the global challenges around ocean conservation in dialogue with the history of art, inviting the viewer to write a contemporary narrative of the ocean and to participate in its protection.
Parley for the Oceans, Doug Aitken Workshop, and MOCA will launch Doug Aitken: Underwater Pavilions in tandem with the exhibition Doug Aitken: Electric Earth at The Geffen Contemporary at MOCA. The installation will be a cultural destination that is free and open to the public in the Casino Point Dive Park in the City of Avalon. The nearby Catalina Casino will also be activated for the New Ocean Happening, a special weekend event organized by Aitken that will include screenings, talks, and live performances, all geared toward bringing attention to critical issues in ocean conservation.
Catalina Island is a one-hour ferry ride from several major ports and it was selected as the location for this earthwork in light of its historical and ecological importance, the beauty of its landscape, and its close proximity to Los Angeles. With its clear waters teeming with flying fish and bright orange Garibaldi, alongside nearby shipwrecks, the location makes for spectacular diving and snorkeling.
In September 2016, a major survey of Doug Aitken’s work will open at The Museum of Contemporary Art, Los Angeles (MOCA). Presented in conjunction with this exhibition, the Underwater Pavilions will be a point of convergence for art, education, and culture within California.
Doug Aitken (b. 1968) is an American artist and filmmaker whose work explores every medium, from sculpture, film, and installation to architectural intervention. His work has been featured in exhibitions around the world at institutions including the Whitney Museum of American Art, The Museum of Modern Art, Vienna Secession, the Serpentine Gallery in London, and the Centre Georges Pompidou in Paris. Aitken earned the International Prize at the Venice Biennale in 1999 for the installation electric earth. He also received the 2012 Nam June Paik Art Center Prize and the 2013 Smithsonian American Ingenuity Award: Visual Arts. He lives and works in Los Angeles, California.
“When we talk about the oceans and we look at the radical disruption we’ve created within the sea, we’re not quite aware yet how much that’s going to affect us and our lives on land,” remarks artist Doug Aitken. “The ramifications of that are immense. This is one thing which cannot be exaggerated.”
“We are at war with the oceans. If we win, we lose it all. Art has the power to direct all eyes on the oceans, in the oceans, and make its protection a creative collaboration,” remarks Parley for the Oceans Founder Cyrill Gutsch.
The above material courtesy of The Museum of Contemporary Art, Los Angeles (MOCA)