Aug 072017
 
Cast Of Big Night At Kirk Douglas Theatre

Wendie Malick will perform in the world premiere of Paul Rudnick’s “Big Night” at Center Theatre Group’s Kirk Douglas Theatre. Directed by Walter Bobbie, “Big Night” runs September 10 through October 8, 2017. For tickets and information, please visit CenterTheatreGroup.org or call (213) 628-2772.

 

CAST ANNOUNCED FOR PAUL RUDNICK’S NEW PLAY “BIG NIGHT”
AT CENTER THEATRE GROUP’S KIRK DOUGLAS THEATRE

The World Premiere Will Run September 10 Through October 8, 2017

 

Center Theatre Group has announced the casting for the world premiere of Paul Rudnick’s new play “Big Night.” Directed by Tony winner Walter Bobbie (“Chicago” and “Bright Star”), “Big Night” begins previews September 10, opens September 16 and continues through October 8, 2017, at the Kirk Douglas Theatre.

The cast includes, in alphabetical order, Brian Hutchinson (“Smokefall” Off-Broadway), Max Jenkins (NBC’s “The Mysteries of Laura”), Luke Macfarlane (ABC’s “Brothers & Sisters”), Wendie Malick (NBC’s “Just Shoot Me!”) and Tom Phelan (ABC Family’s “The Fosters”). One more cast member will be announced at a later date.

The creative team includes set design by John Lee Beatty, costume design by William Ivey Long and lighting design by Ken Billington. Casting is by James Calleri, CSA and Paul Davis, CSA and Brooke Baldwin is the production stage manager. The sound designer will be announced at a later date.

It is the night of the Oscars and a working actor turned Oscar nominee knows that his life is about to change – he just doesn’t know how profoundly. His transgender nephew has plans for his speech, his young agent has plans for his future, his unstoppable mother has plans for the catering and his partner is nowhere to be found. Master satirist Paul Rudnick blends a deep humanity with a honed sense of hilarity in this powerful and funny play about family and fame, the personal and the political, and the drive to stand up and speak out.

Paul Rudnick is a playwright, novelist, essayist and screenwriter, whom The New York Times has called “one of our pre-eminent humorists.” His plays have been produced both on and Off-Broadway and include “I Hate Hamlet,” “Jeffrey,” “The Most Fabulous Story Ever Told,” “Regrets Only” and “The New Century.” He’s won an Obie Award, two Outer Critics Circle Awards and the John Gassner Playwriting Award. Rudnick’s novels include “Social Disease” and “I’ll Take It,” both from Knopf. He’s a regular contributor to The New Yorker and his articles and essays have appeared in Vanity Fair, Esquire, Vogue and The New York Times. HarperCollins published his “Collected Plays” and a book of essays entitled “I Shudder.” He’s rumored to be quite close to Premiere magazine’s film critic, Libby Gelman-Waxner, whose collected columns were published under the title “If You Ask Me.” His screenplays include “Addams Family Values,” the screen adaptation of “Jeffrey” and “In & Out.”

Center Theatre Group, one of the nation’s preeminent arts and cultural organizations, is Los Angeles’ leading nonprofit theatre company, programming seasons at the 736-seat Mark Taper Forum and 1600 to 2000-seat Ahmanson Theatre at The Music Center in Downtown Los Angeles, and the 317-seat Kirk Douglas Theatre in Culver City. In addition to presenting and producing the broadest range of theatrical entertainment in the country, Center Theatre Group is one of the nation’s leading producers of ambitious new works through commissions and world premiere productions and a leader in interactive community engagement and education programs that reach across generations, demographics and circumstance to serve Los Angeles.

Tickets for “Big Night” are available by calling (213) 628-2772, online at www.CenterTheatreGroup.org, at the Center Theatre Group Box Office at the Ahmanson Theatre or at the Kirk Douglas Theatre Box Office two hours prior to performance.
Tickets range from $25 – $70 (ticket prices are subject to change).

The Kirk Douglas Theatre is located at 9820 Washington Blvd. in Culver City, CA 90232. Ample free parking and restaurants are adjacent.

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Aug 072017
 
MOCA Exhibitions Fall 2017

Anna Maria Maiolino, Por um Fio (By a Thread), from the Fotopoemação (Photopoemaction) series, 1976, archival inkjet print, 22 3/8 x 31 1/8 in. (57 x 79 cm.), photo by Regina Vater

MOCA’S LA/LA EXHIBITION SCHEDULE

ANNA MARIA MAIOLINO
August 4–December 31, 2017
MOCA Grand Avenue

ADRIÁN VILLAR ROJAS: THE THEATER OF DISAPPEARANCE
October 22, 2017–February 26, 2018
The Geffen Contemporary at MOCA

AXIS MUNDO: QUEER NETWORKS IN CHICANO L.A.
September 9–December 31, 2017
MOCA Pacific Design Center and the ONE Gallery

ANNA MARIA MAIOLINO
August 4–December 31, 2017
MOCA Grand Avenue
Curators: Bryan Barcena and Helen Molesworth

As part of Pacific Standard Time: LA/LA, The Museum of Contemporary Art, Los Angeles (MOCA), presents Anna Maria Maiolino, the first comprehensive U.S. museum survey of work by artist Anna Maria Maiolino. The exhibition considers five decades of her varied artistic practice including printmaking, drawing, sculpture, photography, video, and performance. From her early woodcut works and performances, which spoke directly to the tense political atmosphere during Brazil’s military dictatorship, to introspective paper works that express the feelings of alienation and marginalization that arose from her status as an immigrant, Maiolino’s work is uniquely capable of tracing the course of the movements that define Brazilian art history. She channels these through a personal, psychologically charged practice that charts her own introspective path as migrant, mother, and artist. Although she has been the subject of various exhibitions in Europe, Maiolino is only now beginning to be recognized in North America for her accomplishments. Her work is ripe to be explored within new contexts, given that it parallels, and in some cases presages, larger dialogues and processes that defined artistic developments during each period of her five-decade long career. This exhibition will cover the full range of Maiolino’s oeuvre from the early 1960s through the present with an equal focus on its socio-historical dimensions—particularly the issues of migration, linguistic competence, feminism, dictatorship—and the ever-present dialectical tension between art and life, between the timeless and the everyday, between what can be said and what is felt.

 

MOCA Exhibitions Fall 2017
ADRIÁN VILLAR ROJAS: THE THEATER OF DISAPPEARANCE
October 22, 2017–February 26, 2018
The Geffen Contemporary at MOCA
Curators: Bryan Barcena and Helen Molesworth

The Museum of Contemporary Art, Los Angeles (MOCA), presents Adrián Villar Rojas: The Theater of Disappearance, a site-specific installation inside The Geffen Contemporary at MOCA’s warehouse space. Villar Rojas (b. 1980, Rosario, Argentina) has built a singular practice by creating environments and objects that seem to be in search of their place in time. Villar Rojas’s interventions beckon viewers to consider fragments that exist in a slippery space between the future, the past, and an alternate reality in the present. With his post-human artworks, Villar Rojas posits the question: What happens after the end of art?

For his project at MOCA, Villar Rojas will radically transform the Little Tokyo space, employing dramatic architectural and aesthetic shifts. In preparation for the installation, Villar Rojas spent a great deal of time exploring technologies used in Hollywood special effects and was struck by the universal digitization of the industry. From his perspective, it echoes a kind of post-human world dominated by technology, and in response, he will create an environment in The Geffen Contemporary at MOCA that is at once tactile and ephemeral, otherworldly and utterly human. Villar Rojas will use remaining materials and surviving bits of “art” from projects produced across the globe and recycle them into new “art,” this time tailor-made for The Geffen Contemporary at MOCA. Petrified wood from Turin, stratified columns from Sharjah, and silicone molds from Istanbul will not be reinstalled as what they once were but instead will have a second, unpredictable life. These elements will journey from “art” to “non-art” and back again to “art,” reinforcing their impermanence and our own in relation to our attempts to ascribe imperishable meanings and values to the world around us.

Image credit: Adrián Villar Rojas, The Theater of Disappearance, 2017, Kunsthaus Bregenz, Bregenz, photo courtesy of the artist, Marian Goodman Gallery, New York / Paris / London, and kurimanzutto, Mexico City, photo by Jörg Baumann

MOCA Exhibitions Fall 2017
AXIS MUNDO: QUEER NETWORKS IN CHICANO L.A.
September 9–December 31, 2017
MOCA Pacific Design Center and the ONE Gallery
Curators: David Evans Frantz, Curator at the ONE Archives at the USC Libraries, and C. Ondine Chavoya, Professor of Art and Latina/o Studies at Williams College, in collaboration with The Museum of Contemporary Art, Los Angeles.

The Museum of Contemporary Art, Los Angeles (MOCA), is pleased to host Axis Mundo: Queer Networks in Chicano L.A., organized by ONE National Gay & Lesbian Archives at the USC Libraries as part of Pacific Standard Time: LA/LA. The exhibition will be shown in two West Hollywood spaces, MOCA Pacific Design Center and the ONE Gallery. It will feature more than 50 LGBTQ and Chicano artists who created experimental artworks in a variety of media between the 1960s and early 1990s—a period bookended by the Chicano Moratorium, gay liberation, and feminist movements on one end, and the ravages of the AIDS crisis on the other. Axis Mundo is the result of extensive research by co-curators David Evans Frantz, Curator at the ONE Archives at the USC Libraries, and C. Ondine Chavoya, Professor of Art and Latina/o Studies at Williams College. While developing the exhibition, the curators visited archives at institutions throughout North America and the United Kingdom and met with artists—as well as family members, friends, and collaborators of those artists—whose work has not been exhibited publicly since the 1970s or 1980s.

Image credit: Teddy Sandoval, Las Locas, c. 1980, acrylic and mixed media on unstretched canvas, 39 x 52 in. (99 x 133.4 cm), collection of Paul Polubinskas, photograph by Fredrik Nilsen

 

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Jul 302017
 

Community Conversations Coming To Ahmanson Theatre

 

CENTER THEATRE GROUP PARTNERS WITH EAST WEST PLAYERS ON

THE WORLD PREMIERE OF “SOFT POWER”

BY DAVID HENRY HWANG AND JEANINE TESORI

AT THE AHMANSON THEATRE

The Two Organizations Will Hold Four Community Conversations

Exploring Themes of this Center Theatre Group Commission

Center Theatre Group’s “Soft Power” Begins

May 3, 2018 and Runs Through June 10, 2018

 

Center Theatre Group will partner with East West Players on the upcoming world premiere of “Soft Power” at the Ahmanson Theatre May 3 through June 10, 2018, announced Artistic Director Michael Ritchie. Through the partnership, East West Players will add this new work created by Tony Award-winning artists David Henry Hwang and Jeanine Tesori as part of its 2017-2018 Season and will also collaborate with Center Theatre Group on four Community Conversations leading up to the play’s premiere as part of the Ahmanson Theatre’s 2017-2018 Season.

“When we started talking with our colleagues at East West Players about ways to collaborate, we quickly realized that ‘Soft Power’ was the perfect opportunity for us to continue a tradition of artistic partnership by bringing our audiences together once again for a unique new work from David Henry Hwang,” said Ritchie. “The last time we partnered was on ‘Yellow Face’ at the Mark Taper Forum, so it’ll be great to have East West Players’ subscribers join us in another fascinating journey into David’s imagination, this time at the Ahmanson.”

“It is an honor to partner with Center Theatre Group on the world premiere of David Henry Hwang’s ‘Soft Power,’” said Snehal Desai, East West Players’ Producing Artistic Director. “As the playwright that is the namesake of our theatre and whose work East West Players has produced more than any other, David’s prescience and ability to turn a mirror not only to our world as it is, but also where we are heading never ceases to astonish. With this production, our relationship with Center Theatre Group will continue to deepen as we initiate a series of joint Community Conversations on Asian American representation and storytelling. East West Players’ 52nd season is dedicated to community and partnerships, and we are proud to include Center Theatre Group as part of ‘The Company We Keep.’”

The four joint Community Conversations are scheduled to take place on October 26, 2017, January 18, 2018, March 15, 2018 and June 5, 2018. Locations, topics and panelists will be announced at a later date. Center Theatre Group’s Community Conversations are a series of panel discussions free and open to the public that feature local thought leaders in dialogue about the context, issues and ideas finding voice on our stages.

“The Community Conversations are that moment when we ask people in our community to help us make relevant the themes and ideas that are alive on our stage,” said Leslie K. Johnson, Center Theatre Group’s Director of Social Strategy, Innovation and Impact. “Asking thought leaders to come and spark that conversation is exciting. By inviting them into the room, we are able to hear someone who lives these topics every day discuss them in the context of the show.”

“Soft Power” begins as a contemporary play before jumping 100 years into the future and exploding into a Chinese musical about present-day America. This seductive new work has book and lyrics by Hwang and music by Tesori. A beloved East-meets-West musical, China’s 21st-century rise and a Presidential candidate’s fundraiser collide to make mayhem—and some beautiful music. This show is inspired by the West’s often ridiculously inauthentic portrayals of Asia, and China’s quest for world cultural influence, also known as “Soft Power.”

“Soft Power,” directed by Leigh Silverman with choreography by Sam Pinkleton, is a Center Theatre Group commission and marks the first collaboration between Hwang and Tesori.

 

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Jul 292017
 
Carmen Cusack To Star In Bright Star At Ahmanson Theatre

Carmen Cusack and Paul Alexander Nolan in the original Broadway production of “Bright Star.” “Bright Star” is part of the 2017-2018 season at the Ahmanson Theatre and will be presented by special arrangement with Joey Parnes Productions October 11 through November 19, 2017. For tickets and information, please visit CenterTheatreGroup.org/Ahmanson or call (213) 972-4400. Photo by Nick Stokes.

 

CARMEN CUSACK TO REPRISE HER TONY-NOMINATED ROLE IN THE CENTER THEATRE GROUP PRODUCTION OF

“BRIGHT STAR” AT THE AHMANSON THEATRE

Tickets For The Award-Winning Musical On Sale Now!

Which Runs October 11 Through November 19, 2017

 

Center Theatre Group has announced that Carmen Cusack will reprise her Tony-nominated role as Alice Murphy in “Bright Star” at the Ahmanson Theatre. The Tony-nominated Best Musical, with music, lyrics and story by Grammy, Emmy and Oscar winner Steve Martin and Grammy winner Edie Brickell, will be presented by Center Theatre Group by special arrangement with Joey Parnes Productions at the Ahmanson Theatre October 11 through November 19, 2017. The opening is set for October 20 and individual tickets are on sale NOW!

The powerfully moving new musical is directed by Tony winner Walter Bobbie and choreographed by Josh Rhodes. “Bright Star” won the 2016 Outer Critics Circle Awards for Best Musical and Best Score and the Drama Desk Award for Outstanding Music. It also received five 2016 Tony Award nominations including Best Musical, Best Score, Best Book, Best Lead Actress in a Musical and Best Orchestrations.

Inspired by a real event, this original musical tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ‘40s. Propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies and enthralling performances. Marc Snetiker of Entertainment Weekly called “Bright Star,” “A genuinely delightful show bolstered by an incredible debut from Carmen Cusack.”

 

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Jul 212017
 

Submissions For CTG 2018 Block Party

 

CENTER THEATRE GROUP RECEIVES 53 SUBMISSIONS FOR SECOND ANNUAL BLOCK PARTY AT THE KIRK DOUGLAS THEATRE

Center Theatre Group Will Remount Three Local Productions for Block Party Celebration

Selected Productions To Be Announced Later This Year

 

Center Theatre Group received submissions from 53 local theatre companies for the second annual Block Party: Celebrating Los Angeles Theatre at the Kirk Douglas Theatre. Block Party will continue to highlight some of the remarkable work being done on stages throughout Los Angeles by fully producing three previously staged productions. The three visiting companies invited to join Block Party will be announced later this year.
The selected productions will be presented at the Kirk Douglas Theatre, March 29 through May 20, 2018. Each production will have a two-week run with 12 performances (including two previews) at the Douglas. All three theatre companies will be part of a collaboration with Center Theatre Group and will receive the full support of Center Theatre Group and its staff in order to fund, stage and market each production.

Center Theatre Group accepted submissions for Block Party from intimate theatre companies in the greater Los Angeles area. Each company was able to submit one of its productions that opened between January 1, 2016, and May 30, 2017.
This year, the round one application was significantly simplified, streamlining the application process for the companies that applied. From this pool of applicants, a select number of companies will be invited to the round two application where more in-depth design information will be requested and considered.

Center Theatre Group’s 2016-2017 inaugural Block Party featured the Coeurage Theatre Company production of “Failure: A Love Story,” which ran April 14 through 23, followed by The Fountain Theatre production of “Citizen: An American Lyric,” which ran April 28 through May 7 and finished with The Echo Theater Company production of “Dry Land,” which ran May 12 through May 21, 2017.

With Block Party, Center Theatre Group hopes to strengthen relationships within the Los Angeles community, create additional avenues for Center Theatre Group to become familiar with local playwrights, actors, directors and designers, and foster relationships between Center Theatre Group staff and the staff at theatre companies throughout Los Angeles.

Block Party receives major support from Aliza Karney Guren and Marc Guren with generous funding also provided by Joni and Miles Benickes.

Center Theatre Group has a long history of pairing with local theatre companies of all sizes including the Deaf West production of “Big River,” which was produced at the Mark Taper Forum in 2002 and went on to Broadway before returning to the Ahmanson Theatre in 2005 as part of a national tour. More recently, Center Theatre Group partnered with 24th STreet Theatre’s “Walking the Tightrope” (which played at the Douglas) and other productions around the city such as “The Behavior of Broadus” (with Burglars of Hamm and Sacred Fools Theater Company), “Birder” (with The Road Theatre Company) and, most recently, “The Hotel Play” (with Playwrights’ Arena).

Center Theatre Group, one of the nation’s preeminent arts and cultural organizations, is Los Angeles’ leading nonprofit theatre company, programming seasons at the 736-seat Mark Taper Forum and 1600 to 2000-seat Ahmanson Theatre at The Music Center in Downtown Los Angeles, and the 317-seat Kirk Douglas Theatre in Culver City. In addition to presenting and producing the broadest range of theatrical entertainment in the country, Center Theatre Group is one of the nation’s leading producers of ambitious new works through commissions and world premiere productions and a leader in interactive community engagement and education programs that reach across generations, demographics and circumstance to serve Los Angeles.

Tickets for Block Party are currently available on season subscription only. For tickets and information, please visit www.CenterTheatreGroup.org/Douglas or call the Exclusive Season Ticket Hotline at (213) 972-4444. The Kirk Douglas Theatre is located at 9820 Washington Blvd. in Culver City, CA 90232. Ample free parking and restaurants are adjacent.

 

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Jul 152017
 
Lomachenko vs. Marriaga AND Beltran vs. Vazquez

Vasyl Lomachenko

 

VASYL LOMACHENKO AND RAY BELTRAN

TITLE DEFENSES HEADLINE ALL-ACTION

CHAMPIONSHIP BOXING EVENT IN LOS ANGELES

Saturday, August 5, at LA’s Microsoft Theater

Live on ESPN at 10 P.M. ET

Tickets On Sale Now!

Los Angeles boxing fans, prepare to enter The Matrix! Two-division world champion and pound for pound superstar VASYL “Hi-Tech” LOMACHENKO returns to a Los Angeles ring for the first time in over three years when he headlines an all-action card, Saturday, August 5, at Microsoft Theater, located at LA Live! Lomachenko will be defending his World Boxing Organization (WBO) junior lightweight world title against two-time world title challenger and Top-10 contender MIGUEL “Escorpión” MARRIAGA. The co-main event will feature three-time world title challenger and top-rated lightweight contender RAY “Sugar” BELTRAN defending his NABF and NABO lightweight titles against former two-time interim World Boxing Association (WBA) super featherweight world champion BRYAN VASQUEZ. The four gladiators boast a combined professional record of 102-12-1 (67 KOs).

Both title fights will be televised live and exclusively at 10 p.m. EDT on ESPN and ESPN Deportes and stream live on the ESPN app.

Tickets to the Lomachenko vs. Marriaga / Beltran vs. Vazquez championship event are on sale NOW! Priced at $130, $105, $80, $55 and $30, tickets may be purchased at microsofttheater.com, AXS.com, by phone at 888-929-7849 or at the STAPLES Center Box Office.

“Vasyl Lomachenko is the best fighter in boxing and Ray Beltran is the best story in boxing,” said Hall of Fame promoter Bob Arum. “Both are in tough against Miguel Marriaga and Bryan Vasquez, who also have lots of world championship fight experience It’s going to be an exciting show for the fans at Microsoft Theater or watching on ESPN.”

“I can’t wait to get back in the ring on August 5th,” said Lomachenko. “I respect all of my opponents who are willing to step in ring with me and I will be at my best to show the boxing fans what boxing is all about it.”

“Thanks to our promoter Top Rank for bringing Vasily back to the ring so quickly after his great performance in April,” said Egis Klimas, Lomachenko’s manager. “There is not much to say when Lomachenko steps into the ring. The way Vasily boxes is not unlike a symphony orchestra where all instruments are played beautifully. He is the best and most entertaining boxer.. I am looking forward to seeing him fight again on August 5th”

“I have respect but no fear of Lomachenko and I cannot wait to fight for his world title,” said Marriaga. “Fighting Lomachenko on ESPN opens the door for my present and for my future . I’m training very hard in Mexico City and I’ll be ready on August 5. I’m going to give him a real fight.”

“I’m excited to fight on ESPN because so many people will be able to see me. It reminds me of the old days when the best fights were on ESPN so it’s cool that Top Rank and ESPN are doing these shows together,” said Beltran. “As for my fight I always respect my opponent, but I’ve knocked out the past five and they had my respect as well. I expect Vasquez to come to fight, but I have a bigger goal to be a world champion, so August 5th is part of that journey and I will not let Vasquez or anyone get in the way of my goal. I’m sure Vasquez and I will make it a great fight for the fans.”

“Ray is as focused as ever on the big prize, a world title shot against Terry Flanagan, Mikey Garcia or Jorge Linares,” said Steve Feder, Beltran’s manager. “But Vasquez is a tough competitor and so we aren’t thinking past this fight just yet. We know it could go the distance, winning is all that matters. Ray’s on a mission, he’s ranked No. 2 breathing down the necks of the champions and was just named NABF Fighter of the Year. He’s feeling it. This is his turf and his ring and he’s determined to protect it. We are filing for the green card as we speak. This is Ray’s year in and out of the ring. Fighting on ESPN is a chance for Ray to get the exposure he’s been waiting for.”

“I think Ray Beltran is a great fighter, motivated and skilled. In one word to describe him in the ring, he’s an animal,” said Vasquez. This fight means a lot for me, fighting for my two idols Chiquita Gonzalez and Roy Jones Jr. who promotes me. Beltran is going to be the toughest fighter I have ever faced. The game plan to is be smarter than him. Speed? How can you use speed against a fighter who sparred with Pacquiao his entire career? We are going to have to be smarter since I am moving up to Beltran’s weight class but I am confident I am the better fighter — faster, smarter, more skilled.”

“Ray Beltran is a very powerful fighter and I really do believe if Bryan outboxes him then Bryan will be victorious,” said Roy Jones Jr., Vasquez’s promoter and a former four-division world champion. “Bryan needs to be smarter than Beltran and not let Beltran dictate how the fight goes. Boxing needs two warriors and Bryan and Beltran are exactly what people have been waiting for. Once victorious, this will re-introduce Bryan Vasquez to the champion circle.”

Lomachenko (8-1, 6 KOs), of Bilhorod-Dnistrovskyi, Ukraine, who has won his last five fights by knockout, returns to a Los Angeles ring for the first time in over three years, making his second world title defense of 2017. In Lomachenko’s previous Los Angeles area fight, which took place on June 21, 2014, at StubHub Center, Lomachenko captured his first world title — the vacant WBO featherweight title — winning a scintillating majority decision over the previously unbeaten and future world champion Gary Russell Jr. It remains the only blemish on Russell’s record. It was Lomachenko’s third professional bout, tying him with Thailand’s Saensak Muangsurin for fewest fights to win a world title. Muangsurin won a junior welterweight title in 1975, also in his third professional fight. Lomachenko successfully defend that title three times during his reign before vacating it to challenge three-time WBO junior lightweight champion Roman “Rocky” Martinez on June 11, 2016. The Martinez victory, via a cringe-worthy one-punch knockout in the fifth round, not only made Lomachenko a two-division world champion, but he once again he broke a record doing it, winning world title No. 2 in a record least amount of fights — SEVEN. He followed that with his first defense of the WBO junior lightweight title, on Nov. 26, totally dominating Nicholas Walters. The previously undefeated former WBA featherweight world champion quit on his stool after the seventh round with his trainer and father Jobs Walters, telling referee Tony Weeks, ‘”No mas.” Not only was it a total domination but a boxing masterpiece painted on the canvas by Lomachenko. It concluded a year that had many media outlets declaring Lomachenko the “Fighter of the Year.” In his last fight, on April 8, he stopped former WBA super featherweight world champion Jason “El Canito” Sosa in the ninth round. It was the second most viewed fight on premium cable for 2017. The greatest amateur boxer of his era and arguably of all time, Lomachenko first gained international renown by winning gold medals in the 2008 Beijing Olympics and the 2012 London Games as a featherweight and a lightweight, respectively. He retired from the amateurs with a 396-1 record.

Marriaga (25-2, 21 KOs), from Arjona, Colombia, enters this fight having won 15 of his previous 20 fights by way of knockout. The only blemishes on his record, 12-round unanimous decision world title losses to WBO featherweight champion Óscar Valdez, in a ferocious battle on April 22, and former WBA featherweight world champion Nicholas “Axe Man” Walters in 2015. Between those two world championship battles, Marriaga fashioned a five-bout winning streak, which included NABO featherweight title knockout victories against Guy Robb and Eduardo Montoya in 2016 to become the WBO’s No. 1 contender and mandatory challenger to Valdez. In his challenge of world champion Valdez, Marriaga went toe-to-toe throughout the fight in a ring war fight fans are still talking about nearly three months later.

Beltran (33-7-1, 21 KOs), a native of Los Mochis, Sinaloa, Mexico who resides in Phoenix, AZ., was recently named the NABF Fighter of the Year. He enters this fight having won his last four fights by knockout. A two-time lightweight world title challenger and a former sparring partner of former eight-division world champion Manny “Pacman” Pacquiao, Beltran still trains at Freddie Roach’s Wild Card Boxing Club in Hollywood, Calif. with Pepe Reilly. In his last fight, in the co-main event to the Terence Crawford – Félix Díaz world title fight on May 20, Beltran scored a sensational one-punch second-round knockout of Top-10 contender Jonathan Maicelo in a world lightweight title elimination bout that also had him retaining his NABF and NABO lightweight titles as well as claiming the vacant WBA International championship belt. It was also a fight that captured the nation’s attention because not only was Beltran fighting for another world title shot but also a new life for himself and his family. Winning his fight against Maicelo may prove to be the deciding factor in getting a green card via the “extraordinary athlete” status needed to qualify for the EB-1 green card typically available to certain sportspeople, entertainers, and masters of the arts and sciences. Recently, he has been in the U.S. under an athletic visa, but risked deportation when that document expired. It was story told by USA Today and followed by NBC News before the fight on “Today” and after on the “NBC Nightly News.” Beltran is currently world-rated No. 2 by the WBO, the World Boxing Council (WBC).and the International Boxing Federation (IBF).

Vasquez (36-2, 19 KOs), from San Jose, Costa Rica, is a former two-time WBA interim super featherweight world champion. His professional resume features victories over Santos Benavides, Jorge Lacierva, René González, Jose Felix, Jr. and Sergio Thompson. He won the WBA interim super featherweight title in 2011, winning a dominant unanimous decision over Benavides. He successfully defended the title the following year via a ninth-round TKO over Lacierva. Later that same year, he unsuccessfully challenged defending WBA super featherweight world champion Takashi Uchiyama losing by an eighth-round TKO. Vasquez recaptured the WBA interim super featherweight title the following year winning a five-round technical decision over González. Vasquez successfully defended the title once in 2014, during his one-year reign, scoring a 12-round unanimous decision over then-undefeated contender Felix. In 2015 he once again challenged for a world title, losing a unanimous decision to undefeated Javier Fortuna. for the vacant WBA super featherweight title. He successfully made his debut as a lightweight last summer, scoring a second-round TKO of Thompson. He is currently world-rated No. 1 by the WBA.

Microsoft Theater hosts over 120 music, family, dance and comedy acts, award shows, televised productions, conventions and product launches with over 500,000 guests passing through the doors annually. The 7,100-seat theater offers guests mid-sized intimacy, with no seat further from the stage than 220 feet. Microsoft Theater offers 12,000 square feet of VIP & hospitality areas, 10 dressing rooms and state of the art technology making it is a favorite indoor venue for performers and fans alike. Since opening in October 2007 with six sold out shows featuring the Eagles and Dixie Chicks, Microsoft Theater has hosted concerts starring the most popular artists including Alan Jackson, Katy Perry, Charlie Wilson, Juan Gabriel, Aretha Franklin, Ed Sheeran, John Fogerty, Gabriel Iglesias, Kanye West, Marc Anthony, Sesame Street Live, John Legend, The Avett Brothers, Neil Young, Steely Dan, Trey Songz, Kelly Clarkson, Rush, Yanni, Nicki Minaj, Juanes, Cat Stevens, The American Idol Finale shows, Michael Jackson’s This is It, Straight Outta Compton, The Hunger Games and Twilight Movie Premieres and many more. Microsoft Theater is home to the American Music Awards, ESPYs, Primetime Emmy Awards, BET Awards, People’s Choice Awards, Radio Disney Music Awards, 2010, 2011 & 2015 MTV Video Music Awards, 2014 & 2015 MTV Movie Awards and the 2013 Rock N’ Roll Hall of Fame.

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Jul 052017
 

The Academy

“ACADEMY GOLD” INTERNSHIP PROGRAM OFFERS EXCLUSIVE OPPORTUNITY TO LEARN FROM ACADEMY MEMBERS AND ENTERTAINMENT INDUSTRY PROFESSIONALS

“Academy Gold” Adds Four Industry Partners; 20 to Participate in Pilot Year

 

The Academy of Motion Picture Arts and Sciences is proud to announce commitments from four additional industry partners – Creative Artists Agency (CAA), Illumination Entertainment, Legendary Entertainment and Overbrook Entertainment – to participate in Academy Gold, a new entertainment industry-wide summer internship and mentoring program that will expand opportunities for students and young professionals from underrepresented communities. Each of the now 20 partners will sponsor up to three interns for the program, which kicked off on Thursday, June 15, with a two-day orientation that included various industry speakers, studio and technology-based company tours and visits to the Academy’s Film Archive and Margaret Herrick Library.

Previously announced partners include Deluxe, The Walt Disney Company, Dolby Laboratories, FotoKem, FremantleMedia, HBO, IMAX, Lionsgate/Starz, Panavision, Paramount Pictures, Participant Media, Sony Pictures, Technicolor, Twentieth Century Fox Film, Universal Pictures and Warner Bros.

In this pilot year, 70 interns (including 18 interns who will be placed within the Academy) will participate in the Academy Gold program. The eight-week program, which concludes on August 11, will offer participants networking opportunities with Academy members and industry professionals, screenings, studio tours and educational workshops.

Academy members and industry professionals will participate in panels discussing their crafts, including: Bobbi Banks (sound editor); Lorrie Bartlett (Partner and Co-Head of Talent, ICM); Maryann Brandon (film editor); Ruth E. Carter (costume designer); Jeff B. Cohen, Esq. (attorney); Destin Daniel Cretton (writer, “Short Term 12”); Julie Ann Crommett (VP Multicultural Audience Engagement, Disney); Tonia Davis (VP Film, Chernin Entertainment); Christina Hodson (writer, “Transformers: Bumblebee”); Jordan Horowitz (producer, “La La Land”); Whitney James (makeup artist); Charles D. King (Founder & CEO, MACRO and executive producer, “Fences”); Stella Meghie (director, “Everything, Everything”); Jeff Miller (President, Studio Operations, Disney); Daryn Okada (cinematographer); Eric Pertilla (agent, Paradigm); Steves Rodriguez, CPA (Partner, Freemark Financial); Kim Roth (President of Production, MACRO); David Rubin (casting director); Demetrius Shipp Jr. (actor, “All Eyez on Me”); Justin Simien (writer-director-producer, “Dear White People”); Michael Tronick (film editor); Nancy Utley (President, Fox Searchlight Pictures); Michelle Watts (Principal, The Aziza Work Group); and Joe Wees (Senior VP Creative Advertising, Universal Pictures). Visit www.oscars.org/AcademyGoldProgram for panelist updates.

Highlights from this summer’s program include:

Transformation – Future Focus Panel (June 21)
Industry leaders in conversation about the challenges and opportunities for those beginning their careers. Panelists include Academy members and respected experts in their field.

Navigating a Successful Career in Hollywood (June 28)
What does it really take to have a successful career in Hollywood? Hollywood veterans and newcomers candidly discuss the keys to being successful in the film industry.

Upgrade and Update – Technology Is Your Business (July 12)
Academy members and industry leaders discuss aspects of production and distribution, staying on top of the latest technology, and successful technologies and innovations incorporated into their work.

Anatomy of a Film Production – Above the Line (July 19)
A panel discussion giving above-the-line perspectives from individual directors, writers, actors and producers, who detail their personal career paths and stories while specifying tools and other ways to build and remain relevant in these careers.

Anatomy of a Film Production – Below the Line (July 26)
A cinematographer, casting director, costume designer, film editor, makeup artist, sound editor and other below-the-line talents discuss their collaborative processes and break down the specifics of what each of their jobs entail.

The Dream Team (August 2)
Support professionals including agents, lawyers, managers and publicists discuss their work.

The Academy Gold Talent Development and Inclusion Program will afford top film entertainment, technology, production services and digital media companies an opportunity to recruit and educate a nationwide pool of diverse talent. The Academy also will build an alumni database to track the professional development of Academy Gold participants and provide a resource to connect alumni with one another upon completion of the program.

Additional support for Academy Gold is provided by The California Wellness Foundation. Support for the Academy Foundation’s educational and outreach initiatives, which include Academy Gold, the Student Academy Awards, and the Academy Nicholl Fellowships in Screenwriting, is provided in part by Walmart.

For more information about the Academy Gold program, visit www.oscars.org/AcademyGoldProgram.

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Jul 042017
 

Staples Center L.A.

Usually, there are several notable events scheduled at the Staples Center in L.A. Currently, there are two listed:

MARVEL UNIVERSE LIVE!
July 7-9, 2017 (7 Shows) time TBA

KCON (an annual Korean wave convention)
August 19 & 20, 2017

Take a look at upcoming concerts?

Tickets are available online at www.staplescenter.com, via axs.com, by phone at 888-929-7849 or the STAPLES Center Box Office.

STAPLES Center is located at 1111 S. Figueroa Street in Los Angeles, CA 90015. Phone: (213) 742-7100; Website: www.StaplesCenter.com

Jul 042017
 

Microsoft Theatre in L.A.

A schedule of concerts and other Special Events taking place at The Microsoft Theater in Los Angeles.

 

THE ESPYS
July 12th, 2017 at 5:00 pm

BANDA MS DE SERGIO LIZÁRRAGA
July 14-15th, 2017 at 8:00 pm

OZUNA
July 22nd, 2017 at 8:00 pm

90’s POP TOUR
July 28th, 2017 at 8:00 pm

80’S WEEKEND #4
July 29th, 2017 at 8:00 pm

NICKY JAM & PLAN B: EL GANADOR TOUR
August 12th, 2017 at 8:00 pm

RASTAK MUSIC GROUP
August 13h, 2017 at 8:00 pm

BRING IT! LIVE
August 16th, 2017 at 7:30 pm

NOCHE DE RECUERDOS
August 26th, 2017 at 8:00 pm

SHREYA GHOSHAL LIVE WITH SYMPHONY
August 27th, 2017 at 7:00 pm

YESTIVAL: YES & FRIENDS
August 29th, 2017 at 7:30 pm

BETHEL MUSIC – HEAVEN COME CONFERENCE 2017
September 21st – 23rd, 2017

PAIN IS LOVE TOUR
September 30th, 2017 at 8:00 pm

TZU CHI: THOUSANDS OF HELPING HANDS CONCERT
October 1st, 2017 at 7:00 pm

R. KELLY
October 6th, 2017 at 8:00 pm

BILL MAHER
October 7th, 2017 at 8:00 pm

J BALVIN
October 8th, 2017 at 8:00 pm

CAIFANES
October 13th, 2017 at 8:00 pm

FRANCO ESCAMILLA
October 21st, 2017 at 8:00 pm

ANDRE RIEU
October 22nd, 2017 at 8:00 pm

PJ MASKS LIVE!
November 26th, 2017at 2:00 pm

THE GAME AWARDS 2017
December 7th, 2017 at 5:30 pm

PEPPA PIG LIVE
December 10th, 2017 at 1:00 pm and 5:00 pm

DISTANT WORLDS: MUSIC FROM FINAL FANTASY
January 20th, 2018 at 8:00 pm

 

Microsoft Theater
777 Chick Hearn Court (between Figueroa Street and Georgia Street),
Los Angeles, CA 90015
Phone: (213)763-6030
Website www.MicrosoftTheater.com

Get tickets to Microsoft Theater Online, by phone at 888-929-7849 or the STAPLES Center Box Office.

Jul 032017
 

 

THE ACADEMY ELECTS 2017–2018 BOARD OF GOVERNORS

 

In response to the many voices calling for Oscars’ diversity, The Academy of Motion Picture Arts and Sciences has recently made a historic – and praiseworthy – effort to improve its inclusiveness. In an unparalleled gesture, the Academy invited 774 new members from 57 countries making sure that women and people of color are fairly represented. (Read more about the new and diversified Academy’s membership here: http://www.app.oscars.org/class2017/#members)

Now, in keeping with the new policy, The Academy of Motion Picture Arts and Sciences introduced its newly elected 2017–18 Board of Governors.

Those elected to the Board for the first time are:

  • Whoopi Goldberg, Actors Branch
  • Mandy Walker, Cinematographers Branch
  • Isis Mussenden, Costume Designers Branch
  • Wynn P. Thomas, Designers Branch
  • Kimberly Peirce, Directors Branch
  • David Linde, Executives Branch
  • Christina Kounelias, Public Relations Branch
  • Thomas R. Sito, Short Films and Feature Animation Branch
  • Teri E. Dorman, Sound Branch
  • Larry Karaszewski, Writers Branch

Incumbent governors reelected to the Board include:

  • Lora Kennedy, Casting Directors Branch
  • Kate Amend, Documentary Branch
  • Michael Tronick, Film Editors Branch
  • Kathryn L. Blondell, Makeup Artists and Hairstylists Branch
  • Charles Bernstein, Music Branch
  • Albert Berger, Producers Branch

Returning to the Board after a hiatus is:

  • Richard Edlund, Visual Effects Branch

The Academy’s 17 branches are each represented by three governors, who may serve up to three consecutive three-year terms. The Board of Governors sets the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.

For a full list of Academy governors, click here.

 

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Jun 252017
 
Heisenberg At Mark Taper Forum

Denis Arndt and Mary-Louise Parker in the Manhattan Theatre Club production of “Heisenberg.” Written by Simon Stephens and directed by Mark Brokaw, “Heisenberg” plays June 28 through August 6, 2017, as part of Center Theatre Group’s 50th anniversary season at the Mark Taper Forum. Photo by Joan Marcus. ©2016 Joan Marcus

 

PERFORMANCES BEGIN JUNE 28 FOR “HEISENBERG”
PLAYING AT THE MARK TAPER FORUM THROUGH AUGUST 6, 2017

Denis Arndt and Mary-Louise Parker Reprise the Roles They Played on Broadway

 

Preview performances begin June 28 for “Heisenberg” at the Mark Taper Forum.

Written by Tony Award and two-time Olivier Award winner Simon Stephens, “Heisenberg” opens July 6th and will continue through August 6th 2017.

Directed by Drama Desk Award winner Mark Brokaw and featuring Tony nominee Denis Arndt and Tony, Emmy and Golden Globe winner Mary-Louise Parker, the creative team for “Heisenberg” includes Mark Wendland (scenic design), Michael Krass (costume design), Austin R. Smith (lighting design) and David Van Tieghem (sound design).

Amidst the bustle of a crowded London train station, Georgie (Parker) spots Alex (Arndt), a much older man, and plants a kiss on his neck. This electric encounter thrusts these two strangers into a fascinating and life-changing game as “Heisenberg” brings to blazing, theatrical life the uncertain and often comical sparring match that is human connection.

When “Heisenberg” received its world premiere at Manhattan Theatre Club in 2015, Ben Brantley of The New York Times called the play “a probing work that considers the multiplicity of alternatives that could shape our lives at every moment.” On returning to see the Broadway run in 2016, Brantley said “Heisenberg” “seems more shimmeringly and satisfyingly elusive each time I see it.” Adding that Parker and Arndt are “the sexiest couple on a New York stage just now.”

Mark Kennedy of Associated Press said playwright Simon Stephens “does nothing less than alchemy here. He captures new love and old love at the same time, hope and fear, the new world and the old. He’s turned the simplest of tales — boy meets girl — into an unexpectedly rich thing with just two chairs, two tables and two actors.” Jesse Green of New York Magazine added, “Under Mark Brokaw’s exquisite direction, the two actors could not be better.”

“Heisenberg” was commissioned by Manhattan Theatre Club and received its world premiere in the summer of 2015 as part of The Studio at Stage II – Harold and Mimi Steinberg New Play Series, MTC’s initiative to bring bold new work to audiences. “Heisenberg” was then transferred to the Samuel J. Friedman Theatre in 2016. Manhattan Theatre Club, under the leadership of Artistic Director Lynne Meadow and Executive Producer Barry Grove, has become one of the country’s most prominent and prestigious theatre companies. Over the past four and a half decades, MTC productions have earned numerous awards including six Pulitzer Prizes and 20 Tony Awards. MTC has a Broadway home at the Samuel J. Friedman Theatre (261 West 47th Street) and two off-Broadway theatres at New York City Center (131 West 55th Street).

Center Theatre Group, one of the nation’s preeminent arts and cultural organizations, is Los Angeles’ leading nonprofit theatre company, programming seasons at the 736-seat Mark Taper Forum and 1600 to 2000-seat Ahmanson Theatre at The Music Center in Downtown Los Angeles, and the 317-seat Kirk Douglas Theatre in Culver City. In addition to presenting and producing the broadest range of theatrical entertainment in the country, Center Theatre Group is one of the nation’s leading producers of ambitious new works through commissions and world premiere productions and a leader in interactive community engagement and education programs that reach across generations, demographics and circumstance to serve Los Angeles.

Tickets for “Heisenberg” are available by calling (213) 628-2772, online at www.CenterTheatreGroup.org or at the Center Theatre Group Box Office. Tickets range from $25 – $95 (ticket prices are subject to change).

The Mark Taper Forum is located at The Music Center, 135 N. Grand Avenue in Downtown L.A. 90012.

 

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Jun 162017
 
The Curious Incident Of The Dog In The Night-Time At Ahmanson Theatre

Adam Langdon as Christopher Boone (center) with the cast of the touring production of “The Curious Incident of the Dog in the Night-Time,” which will be presented by Center Theatre Group at the Ahmanson Theatre August 2 through September 10, 2017. Photo by Joan Marcus. ©2016 Joan Marcus

CAST IS SET FOR

“THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME”

PLAYING AT CENTER THEATRE GROUP / AHMANSON THEATRE AUGUST 2 THROUGH SEPTEMBER 10, 2017

Tony and Olivier Award-Winning Best Play

A New Play by Simon Stephens

Adapted From the Novel by Mark Haddon

Directed by Marianne Elliott

Casting is set for the Los Angeles engagement of the National Theatre production of “The Curious Incident of the Dog in the Night-Time” presented at Center Theatre Group / Ahmanson Theatre. The Tony Award-winning new play by Simon Stephens is adapted from Mark Haddon’s best-selling novel and directed by Tony winner Marianne Elliott (“War Horse”). “Curious Incident…” previews August 2, opens August 3 and continues through September 10, 2017.

The cast will include Juilliard graduate Adam Langdon as Christopher, Gene Gillette (“War Horse”) as Ed, Felicity Jones Latta (“Metamorphoses”) as Judy, Maria Elena Ramirez (“Fish in the Dark”) as Siobhan and Amelia White (“The Heiress”) as Mrs. Alexander. The ensemble includes Brian Robert Burns (“War Horse”), Francesca Choy-Kee (“Disgraced”), Josephine Hall (“Les Liaisons Dangereuses”), John Hemphill (“School of Rock”), Robyn Kerr (“Dark Vanilla Jungle”), Kathy McCafferty (“Dada Woof Papa Hot”), Tim McKiernan (“War Horse”), J. Paul Nicholas (“Blood and Gifts”), Geoffrey Wade (“Translations”) and Tim Wright (“Curious Incident”/Broadway). Benjamin Wheelwright (“Curious Incident”/Broadway) will play Christopher at certain performances.

The production is designed by Tony Award winner Bunny Christie and Tony Award-winning video designer Finn Ross, with lighting by Tony Award winner Paule Constable, choreography by Scott Graham and Olivier Award winner Steven Hoggett for Frantic Assembly, music by Adrian Sutton, sound by Ian Dickinson for Autograph, and hair and wig design by David Brian Brown. Casting is by Daniel Swee, CSA and Cindy Tolan, CSA.

In “… this highly original, deeply engaging play” (Elysa Gardner, USA Today), 15-year-old Christopher has an extraordinary brain; he is exceptionally intelligent but ill-equipped to interpret everyday life. When he falls under suspicion for killing his neighbor’s dog, he sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change his life forever.

 

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