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2008- 2009 & 2009-2010 & 2010 THEATER SEASON IN L.A.

Theater in L.A.: PREMIERES   Theater in L.A.: CURRENTLY PLAYING  

Theatre in L.A.: UPCOMING PLAYS

Theater in L.A.: PREMIERES

CAST AND DESIGNERS SET FOR

 

“THE WAKE” AT KIRK DOUGLAS THEATRE


World Premiere of Lisa Kron’s Play Is Directed by Leigh Silverman
Previews Begin March 21, Opens March 28 and Runs Through April 18
 


The cast and designers have been set and rehearsals have begun for the world premiere of Lisa Kron’s “The Wake,” presented by Center Theatre Group at the Kirk Douglas Theatre in a co-production with Berkeley Repertory Theatre. “The Wake” opens on March 28, 2010, and continues through April 18. Previews begin March 21.
Obie Award-winner Lisa Kron reunites with Leigh Silverman, who directed Kron’s highly acclaimed 2006 production of “Well” on Broadway, to present this new play to Los Angeles audiences.
Under Silverman’s direction, the cast of “The Wake” features (in alphabetical order) Emily Donahoe, Carson Elrod, Andrea Frankle, Miriam F. Glover, Deirdre O’Connell, Heidi Schreck and Danielle Skraastad.
The set design is by David Korins, costume design by Meg Neville, lighting and projection design by Alexander V. Nichols, sound design by Cricket S. Myers and Kathryn Bostic is the composer. Casting is by Bonnie Grisan, Amy Potozkin and Erika Sellin, and the production stage manager is Elizabeth Atkinson.
“The Wake” centers on Ellen, a smart, politically engaged, freelance writer who has created a warm circle of friends – a “puppy pile of people” – including her longtime partner, his sister and her partner. She gathers them together for a Thanksgiving dinner in 2000 but has trouble joining the festivities with her mind on the contested presidential election. She is adamant that her friends don’t understand how bad the situation really is.
It turns out that Ellen, in the midst of the political turmoil of the 21st century, is also unable to see the facts at the center of her own political and emotional life. Kron’s searing new play unearths the assumptions of privilege and comfort that lie deep in the American character, and confronts the inescapable truth that no matter how intelligent, open or self-reflective you think you are, you’ll never be able to see your own blind spot.
Tickets for “The Wake” are on sale now and are available by calling (213) 628-2772, online at www.CenterTheatreGroup.org, in person at the Center Theatre Group box office at the Ahmanson Theatre or two hours prior to performances at the Kirk Douglas Theatre box office.

The Kirk Douglas Theatre is located at 9820 Washington Blvd., Culver City, CA 90232.

 

Photo: (L to R) Lisa Kron and Heidi Schreck. Photo credit: Craig Schwartz

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2008- 2009 & 2009-2010 & 2010 THEATER SEASON IN L.A.

L.A. Theatres' Repertoire Announcements:

2009-2010 Ahmanson Season

2009 - 2010 Season at Kirk Douglas Theatre

2010 Season at The Mark Taper Forum

Theater in L.A.: CURRENTLY PLAYING

Large Live Theatres in L.A.   

Smaller Live Theatres in L.A.

Large Live Theatres in L.A.

MARTIN SHEEN, FRANCES CONROY AND BRIAN GERAGHTY OPEN IN

 

“THE SUBJECT WAS ROSES”

 

AT CTG/MARK TAPER FORUM

Martin Sheen, Frances Conroy and Brian Geraghty open in Frank D. Gilroy’s Pulitzer and Tony Award-winning play “The Subject Was Roses” this Sunday, February 21 at 7 p.m. at the Center Theatre Group / Mark Taper Forum at the Los Angeles Music Center.
Neil Pepe is directing the heartfelt and honest depiction of a father, mother and son whose complex and strained family dynamic becomes sadly clear after the son returns from a three-year stint in the army.
“The Subject Was Roses” continues at the Taper through March 21, 2010.
Sheen portrayed the son in the original Broadway production and he also appeared in the 1968 film version; he plays father in the Taper production, with Conroy playing the mother and Geraghty playing the son.
“The Subject Was Roses” is presented at the Taper in association with Estevez Sheen Productions.
“The Subject Was Roses” has scenic design by Walt Spangler, costumes by Laura Bauer and lighting by Rui Rita. The composer is Obadiah Eaves and Cricket S. Myers is the sound designer. David S. Franklin is the production stage manager.
Tickets for “The Subject Was Roses” are available by calling CTG Audience Services at (213) 628-2772 or online at www.CenterTheatreGroup.org or in person at the CTG box office located at the Ahmanson Theatre at the Music Center.
 

Photo: L to R: Brian Geraghty and Martin Sheen in “The Subject Was Roses”. Photo credit Craig Schwartz

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Smaller Live Theatres in L.A.

Artworks Theatre announces the OPENING of A theatrical Incident with Curious Music, Unfamiliar Singing and Improbable Dancing devised by ARTEL, incubated at [via]Corpora Performance R&D House:

Kharmful Charms of Daniil Kharms

What: Kharmful Charms of Daniil Kharms by ARTEL.
 
Where: ArtWorks Theatre 6567 Santa Monica Blvd. Hollywood, CA 90038
 
When: through March 20, 2010. Fridays and Saturdays, 8:30pm.  Sundays at 3:00 PM. Arrive early for Amuse-Um installations, instant happenings, surprise disappearances, musical ambushes, and eruptions of sound poetry, OBERIU-style!


Dress Code: Dress to impress while enjoying yourself at a night of irrepressible theatre. Kharmsian time zone is circa 1920s/1930s.  Wearing a mustache is highly recommended.  Mustached persons will be rewarded with a cup of soup.  Ladies with mustaches will be doubly rewarded.

 

Fresh off the heels of the critically acclaimed Grand Guignolers' Absinthe, Opium & Magic: 1920s Shanghai, [via]Corpora International Performance Research and Development House is proud to present its resident laboratory's world premiere production, Kharmful Charms of Daniil Kharms. After a riotous oversold presentation of the workshop production last spring, ARTEL - a mad-gang of artisanal scientists comprising the underground American Russian Theatre Ensemble Laboratory - brings Daniil Kharms back with a vengeance!  And he is more charming, macabre, and scintillating than ever! Kharmful Charms of Daniil Kharms is an original decadent comedy, illogically formulated from Russian Surrealist and Absurdist motifs, constructed as an evening of not-so-innocent commotions and antics, vignettes and dreamlike incidents, all set to a rousing live musical score. 
  
      Declaring 2010 as the Year of the Absurd, ARTEL is making explosive (re)solutions to the New Year, beginning with detonating notions of theatre as a dramatic servant of literature. While English speaking academics are just now wrestling with Hans-Thies Lehmann's ten year old articulation of a 'post-dramatic theatre', ARTEL ransacks a storehouse constructed eighty years ago by Daniil Kharms when he divined a creative practice of sluchai*, to propose its own poetics of perplexing alogical perspectives formulated for a new decade of twenty-first century theatre. 

      Daniil Kharms, an early Soviet-era surrealist and absurdist poet, writer and dramatist. By the late 1920s, his anti-rational verse, nonlinear theatrical performances, and public displays of iniquitous and irrational behavior earned Kharms - who always dressed like an English dandy with a calabash pipe - the reputation of being a talented but highly eccentric "fool" or "crazy-man" in Leningrad cultural circles. Exiled briefly during the "relatively vegetarian" days of the early 1930s, ten years later he was imprisoned in the psychiatric ward of Leningrad Prison No. 1. Kharms died in his cell - most likely from starvation - in February, 1942 as the Nazi blockade of Leningrad was well underway. His writings (a vast assortment of stories, miniatures, plays, poems, and pseudo-scientific/philosophical investigations) were virtually unknown until the 1970s, and not published officially in Russia until the late-1980s period of "glasnost". 

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DREAMGIRLS” AT THE CTG/AHMANSON THEATRE

A NEW PRODUCTION OF

THE GROUNDBREAKING MUSICAL

 

“We’re Your Dreamgirls”

SYESHA MERCADO is DEENA JONES

ADRIENNE WARREN is LORRELL ROBINSON

MARGARET HOFFMAN is MICHELLE MORRIS

AND INTRODUCING

MOYA ANGELA as EFFIE WHITE

 WITH

CHAZ LAMAR SHEPHERD as CURTIS TAYLOR, JR.

CHESTER GREGORY as JAMES “THUNDER” EARLY

TREVON DAVIS as C.C. WHITE

MILTON CRAIG NEALY as MARTY MADISON

 

 

A new, ground-breaking production of “Dreamgirls,” directed and choreographed by Robert Longbottom, arrives at the CTG/Ahmanson Theatre, opening playing through April 4

With music by Academy Award nominee Henry Krieger, lyrics and book by Tony and Grammy Award winner Tom Eyen, and additional material by Willie Reale, “Dreamgirls” introduces actress Moya Angela as Effie White and features, as The Dreams, Syesha Mercado as Deena Jones, Adrienne Warren as Lorrell Robinson, and Margaret Hoffman as Michelle Morris with Chaz Lamar Shepherd as Curtis Taylor, Jr., Chester Gregory as James “Thunder” Early, Trevon Davis as C.C. White, Milton Craig Nealy as Marty Madison in a cast of 26 that also features Tallia Brinson, Felicia Boswell, Patrice Covington, Ronald Duncan, Talitha Farrow, Brittney Griffin, James Harkness, Robert Hartwell, Eric Jackson, Chauncey Jenkins, Jared Joseph, Nikki Kimbrough, Brittany Lewis, Douglas Lyons, Kimberly Marable, Jarran Muse, Amaker Smith and Marc Spaulding.

Co-choreography for “Dreamgirls” is by Shane Sparks, scenic design by Robin Wagner, costume design by William Ivey Long, lighting design by Ken Billington, sound design by Acme Sound Partners, media design by Howard Werner for Lightswitch and is produced by John Breglio for Vienna Waits Productions.  For more information, please visit www.dreamgirlsonstage.com.

“Dreamgirls” tells the rags-to-riches story of an up-and-coming 1960s singing girl group and the triumphs and tribulations that come with fame and fortune.  The original Broadway production of “Dreamgirls” opened December 20, 1981, at the Imperial Theatre and won six 1982 Tony Awards.  “Dreamgirls” closed on Broadway August 11, 1985, after 1,522 performances.  The original Broadway production was directed by Michael Bennett and choreographed by Bennett and Michael Peters.  “Dreamgirls” was adapted into a motion picture by DreamWorks Pictures and Paramount Pictures, and opened in December 2006.

 

Biographies

 

Moya Angela (Effie White) joins the cast from “The Lion King” Gazelle and Cheetah tours (Disney). Her roles included Rafiki and Shenzi. She is a native of Indianapolis, IN, where she won two Encore Awards in her roles as Sara in “Ragtime” and Adapearle in “The Wiz.”

 

Syesha Mercado (Deena Jones). As a recording artist, Syesha released a single with two-time Grammy nominated jazz legend Boney James and has begun preparations for her first record, collaborating with a host of prominent writers and producers, including Grammy-winner Diane Warren, Scott Cutler, Anne Preven, Steve Diamond, Chris Rojas, and many more.  She came to national attention as the second runner-up in the seventh season of Fox’s “American Idol.” She also participated in the subsequent “American Idol” LIVE Tour 2008, performing 53 concerts in 49 cities both in the United States and Canada. Syesha attended the Manatee School for the Arts, and was a theater major at Florida International University in Miami.

 

Chaz Lamar Shepherd (Curtis Taylor, Jr). Philadelphia’s Chaz Shepherd has co-starred in many TV shows (“7th Heaven,” “The Parkers,” “The Game...”) and as Harpo on Broadway’s “The Color Purple.” After being on the Billboard charts 3 times in 2009, Chaz’s soul/R&B album will be released during the “Dreamgirls” tour. Chaz’s gospel work was Grammy nominated in 2009.

 

Chester Gregory (James “Thunder”Early) an award-winning actor/performer/singer/songwriter, made his N.Y. debut as Jackie Wilson in “The Jackie Wilson Story” (Jeff, AUDELCO, BTAA and Black Excellence Awards). Broadway: “Hairspray” (Seaweed), “Cry-Baby” (Dupree) and “Tarzan” (Terk). Other credits include “Hairspray” (Movie) and performing for Michael Jackson. Chester has a BFA from Columbia Chicago. His music is available at www.ChesterGregory.com.

 

Adrienne Warren (Lorrell Robinson) is a recent graduate of Marymount Manhattan College. New York Theatre: “The Wiz” (Dorothy understudy for Encores! Summer Stars). Regional: “Little Shop of Horrors,” “Cats,” “Big River,” and the 25th anniversary of “Dreamgirls” starring Jennifer Holliday. Training: Ann Reinking’s Broadway Theatre Project. Trans Siberian Orchestra 2008-2009 Winter Tour (Featured Vocalist).

 

Trevon Davis (C.C. White).  A talented vocalist and songwriter, was one of the seven finalists on BET’s “Sunday Best,” hosted by Kirk Franklin, and he also appeared in MTV’s hit series “Making the Band,” produced by Sean “Diddy” Combs.

 

Margaret Hoffman (Michelle Morris) recently graduated from Sam Houston State University, obtaining a BFA in Musical Theatre. While attending school, Margaret has performed in several theatrical and entertainment events at the premiere theatres of Houston, TX, such as The Ensemble Theatre and Theatre Under The Stars.

 

Milton Craig Nealy (Marty Madison) was in the original Broadway and 1987 revival productions of “Dreamgirls.” He also created the roles of Agwe in “Once on This Island” and Four-Eyed Moe in “Five Guys Named Moe” on Broadway. Other Broadway credits include “Caroline, or Change,” John in “Miss Saigon” (as well as the London and Australian productions), “Mail” and the revival of “Ain’t Misbehavin’.” National tours: “The Full Monty”  (also in Australia), Judas in “Jesus Christ Superstar” (20th anniversary tour) and “Sing, Mahalia, Sing,” starring Jennifer Holliday. Milton won the Best of Westword Award for his performance as Jacob in “La Cage Aux Folles.” Films include “The Blues Brothers.”

In photo: L to R -- Adrienne Warren (Lorrell), Syesha Mercado (Deena) and Moya Angela (Effie) in "Dreamgirls," playing February 25 through April 4, 2010, at the CTG/Ahmanson Theatre. Photo by Joan Marcus.

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Theatre in L.A.: UPCOMING PLAYS

Large Live Theatres in L.A. 

Smaller Live Theatres in L.A.

Large Live Theatres in L.A.

CAST AND CREATIVE TEAM FROM WORLD PREMIERE OF

 

BENGAL TIGER…”


REUNITE FOR THE TAPER PRESENTATION APRIL 14 - MAY 30, 2010

 


The entire cast and creative team from the world premiere of Rajiv Joseph’s “Bengal Tiger at the Baghdad Zoo” at the Center Theatre Group’s Kirk Douglas Theatre in 2009 will return for the presentation at the CTG / Mark Taper Forum. Directed by Moisés Kaufman, “Bengal Tiger at the Baghdad Zoo” begins previews April 14, opens April 25 and continues through May 30, 2010.
The cast features (in alphabetical order) Glenn Davis, Brad Fleischer, Arian Moayed, Kevin Tighe, Hrach Titizian, Sheila Vand and Necar Zadegan.
The set design is by Derek McLane, costume design is by David Zinn, lighting design is by David Lander, sound design is by Cricket S. Myers and Kathryn Bostic serves as composer. Casting is by Bonnie Grisan, and the production stage manager is David S. Franklin.
In “Bengal Tiger at the Baghdad Zoo,” the lives and, in some cases, the afterlives, of two American soldiers, an Iraqi translator, the ghosts of Saddam Hussein’s sons Uday and Ousay, and a Bengal tiger all intersect in a surreal, darkly humorous and gently balanced view of war and its aftermath.
Charles McNulty of the Los Angeles Times said that “Bengal Tiger” is “. . . no ordinary play. I’m tempted to call it the most original drama written so far about the Iraq war, but why sell this work short? The imagination behind it is way too thrillingly genre-busting to be confined within such a limited category.” Regarding Moisés Kaufman, McNulty said “. . . let’s give credit . . . [Kaufman’s] direction allows us to appreciate both the wonderful comic audacity and diffuse sensitivity of Rajiv Joseph.” Dany Margolies of Back Stage said, “The brain jolts to a start at the top of this world premiere and doesn’t cease whirring . . . Rajiv Joseph has penned a monumental work that muses on cruelty and nature, language and creativity, religion and remorse. . . .”


Tickets for “Bengal Tiger at the Baghdad Zoo” are on sale now and are available by calling CTG Audience Services at (213) 628-2772 or online at www.CenterTheatreGroup.org or in person at the CTG box office located at the Ahmanson Theatre at the Music Center.

Photo: (L to R) Kevin Tighe as the Tiger and Glenn Davis as Tom. Photo credit: Craig Schwartz.

The Lincoln Center Theater production of


“South Pacific”

 


Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Book by Oscar Hammerstein II and Joshua Logan.
Directed by Bartlett Sher

 

 

Opens Wednesday, June 2 at 8 p.m at Center Theatre Group/Ahmanson Theatre
 

One of Broadway’s most endearing musicals, Rodgers & Hammerstein’s “South Pacific,” is presented in Los Angeles with the Lincoln Center Theater’s luscious, new, Tony Award-winning (Best Musical, Revival) production. Set on a tropical island during World War II, “South Pacific” tells the sweeping romantic story of two couples – U.S. Navy nurse Nellie Forbush and French plantation owner Emile de Becque, and Navy Airman Joe Cable and a young local native girl, Liat, and how their happiness is threatened by the realities of the war and by their own prejudices.

DATES/TIMES: Previews Thursday, May 27 through Tuesday, June 1
Thursday at 2 p.m. and 8 p.m., Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m., Sunday, at 1 p.m. and 6:30 p.m., Tuesday at 8 p.m. No performance Monday, May 31.
Opens Wednesday, June 2 at 8 p.m.; Through July 17.
Regular Performances:
Tuesday through Friday at 8 p.m.; Saturday at 2 p.m. and 8 p.m.; Sunday at 1 p.m. and 6:30 p.m.; No performances on Mondays.
Exceptions: The June 12 evening performance is at 8:30 p.m. Added performances Thursday, July 1 and Thursday, July 15 at 2 p.m. and Monday, July 12 at 8 p.m. No 6:30 p.m. performance on Sunday, July 4.

TICKET INFO: Ticket Prices: $20 - $95
Tickets are available in late March by calling Center Theatre Group Audience Services at (213) 972-4400, in person at the Center Theatre Group box office or on-line at www.CenterTheatreGroup.org. Hot Tix: $20 each can be purchased in advance or, subject to availability, on the day of performance at the box office (no checks). Groups: (213) 972-7231. Deaf community: Information & charge, TDD (213) 680-4017.

LOCATION: Center Theatre Group/Ahmanson Theatre At the Music Center, 135 N. Grand Avenue in Downtown L.A. 2-25-10

Photos courtesy of CTG Press; Photos' credit Peter Coombs

WORLD PREMIERE OF RANDY NEWMAN’S

“HARPS AND ANGELS”

AT MARK TAPER FORUM IN NOVEMBER 2010
Grand Finale of 2010 Season to Feature Music and Lyrics of Beloved Songwriter

The infectious music and lyrics of one of America’s most beloved songwriters will be featured as the grand finale of the Taper’s 2010 season, it was announced today by Michael Ritchie. The world premiere of Randy Newman’s “Harps and Angels” will be presented through December 19, 2010.
“Harps and Angels,” which has music and lyrics by Randy Newman, is conceived by Jack Viertel. A director will be announced soon.
Randy Newman’s witty, complex, bittersweet and often satirical songbook is at the heart of this new work, in which the personal and the socio-political entwine creating a compelling, honest and humorous commentary on what it is like to be born, grow up, fall in love, and live and die in America.
Some of the Newman songs that will be featured include “I Think It’s Going to Rain Today,” “Sail Away,” “Marie,” “Rednecks,” “My Country,” “Louisiana 1927,” “Feels Like Home,” “You’ve Got a Friend in Me” and of course, “I Love L.A.,” among many others.
Over his remarkable career, Newman has received 17 Academy Award nominations, five Grammy Awards and two Emmy Awards, and he was inducted into the Songwriters Hall of Fame in 2002. In addition to his 13 albums from 1968 to the present, his film scores include, among others, “Ragtime,” “Awakenings,” “The Natural,” “Toy Story,” “A Bug’s Life” and “Monsters, Inc.” (for which he won the Academy Award for Best Song).
Newsweek said, “[Randy Newman] will make you laugh, break your heart and scare you to death, usually all in the same song, sometimes in the same verse.” NPR said, “Singer and composer Randy Newman’s wry and sometimes raw musical commentary has become a big part of the American cultural landscape.”
The announcement of Randy Newman’s “Harps and Angels” completes the 2010 Taper season, which opens in February 2010 with “Speed-the-Plow,” and continues with “Bengal Tiger at the Baghdad Zoo,” “The Lieutenant of Inishmore” and “The Glass Menagerie.”
For information regarding audio description and sign language interpreted performances, call TDD/Voice (213) 680-4017.

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Smaller Live Theatres in L.A.

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